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Gold Leafs Art Panel
Gold Leafs Art Panel
Disciption
The artistry of gold leaf guilding, a technique that has persevered in Kyoto since the Kamakura period, has seamlessly merged with modern design, giving birth to an exquisite objet d'art. Crafted by seasoned artisans who have long been entrusted with the restoration of renowned temples and shrines, this creation showcases a remarkable convergence of tradition and contemporaneity. The leaf is meticulously adorned with the world's finest and thinnest gold leaf, preserving the delicate veins of genuine foliage. The reflected golden leaf on the jet-black laquered panel is a sight of breathtaking beauty, captivating and leaving one breathless.
The position of the leaf can be easily changed with a magnet on the iron-integrated lacquer plate.
You can choose between three option (Please click style button)
1. Plate size：W 30cm L30cm H 1cm comes with 2 goldleaf coated Leafs veins and goldleaf coated 1 Chinese lantern plant
2. Plate size：W 30cm L30cm H 1cm comes with 3 goldleaf coated Leafs veins
3. Plate size：W20.5cm H20.5cm D1cm with 1 goldleaf coated Chinese lantern plant
photo : YokoyamaRyuhei/ NabeshimaNaruyasu / Studio MacCa
Materials
Materials
Leaf : Natural Leaf, Goldleaf, Japanese lacquer
Panel : Wood, Japanese lacquer
Shipping & Returns
Shipping & Returns
Dimensions
Dimensions
S : W20.5cm H20.5cm D1cm
M : W30cm H30cm D1cm
Care Instructions
Care Instructions
Treat carefully as the Gold leaf is made of natural leaf coated with goldleaf and it is very fragile.
If in stock, the product will be shipped in 2 to 8 business days. If a product is shown as "MAKE A ENQUERY", please write us through the form below and we will answer shortly with lead times.
KINPAKUOSHI YAMAMURA
Since its inception in 1949, KINPAKUOSHI YAMAMURA has been deeply involved in the conservation of Kyoto‘s heritage. Applying kinpaku (gold leaf) mainly on items belonging to Kyo-Butsudan Kyo-Butsugu (Kyoto Buddhist Altars and Paraphernalia), one of the Kyoto’s designated traditional industries, as well as materials such as lacquerware, sacred items, and castings, KINPAKUOSHI YAMAMURA has been working on the restoration of important temples and the main buildings of shrines throughout the country. Adhering to the unique Kyoto technique called “heavy pressing,” which gives a harmonious shine by applying lacquer as an adhesive, KINPAKUOSHI YAMAMURA has been preserving the raftsmanship of kinpaku-oshi (gold leaf stamping) since the Kamakura period.